ALL IT TAKES IS ONE ACT 2026

June 15, 2026

Playwrights Horizons. NYC. 7:00pm.

One Night. Three Plays. All About Reproductive Justice.

2025-2026 CYCLE WINNERS

First Place: PANDAMONIUM!

by Nancy Sun

As a giant panda, Yiyi’s purpose is to save her species from extinction. And according to her Instagram, it might also be her whole personality :) But after struggling with her fertility for nine years, Yiyi starts to doubt whether her life’s work requires her to bear cubs. When you live in captivity, though, do you really have a say? PANDEMONIUM! is about the hard choices we make in a society that values new life, yet restricts the bodies that make life possible. Inspired by real-world animal conservation efforts, our contemporary reproductive rights discourse, and the chronically online, this play is for those who touch grass and those who should.


Second Place: Omo Mi

by Sadia Alao

Omo Mi follows Amina, a young Nigerian-American girl who has to navigate an unexpected pregnancy and possible abortion while dealing with her overbearing mother, Halima, who is vehemently pro-life. Set over the backdrop of Egungun masquerade and Yoruba mysticism, this story explores the notions we impose on women’s sexual and physical beings and how these impositions ultimately lead to generational hurt.


Third Place-The Ella Elliott Fan Club of Southeast Wisconsin

by Lauren Wimmer

It's 2008 and four high school kids have a fan club for their favorite Christian movie star and singer Ella Elliott. They idolize Ella Elliott for being a pro-life warrior in the liberal Hollywood landscape. From a basement in the suburbs outside of Milwaukee, they work on raising money to have Ella Elliott perform at their church's summer fair. When one of the members becomes pregnant, they must come to terms on what to do. And how.

Meet The Playwrights:

  • 1st Place

    Nancy Sun is a playwright, actor, and queer American daughter of Chinese immigrants. As a storyteller, she centers the narratives of “supporting” characters and makes invisible labor visible. Her play PANDEMONIUM! recently received a developmental workshop at the 2026 Seven Devils New Play Conference, was a Finalist for the 2026 Ojai Playwrights Conference, and a Semifinalist for the 2026 Eugene O’Neill National Playwrights Conference. At Primary Stages, Nancy is a 2026 Mary Louise Rockwell Scholar and previously a member of their 2024-25 Echoes Writers Group. Finalist: 2026 Under Construction Playwrights Group at Road Theatre; 2025 Target Margin Theatre Institute Fellowship; Semifinalist: 2025 Signpost Fellowship, 2018 SPACE on Ryder Farm Creative Residency. As an actor, Nancy's select stage credits include Junk (Arena Stage), The Hard Problem (Studio Theatre), and Marginal Loss (world premiere, Humana Festival at Actors Theatre of Louisville). Onscreen, she has performed in Showtime’s “Homeland,” TVLand’s “Younger,” NBC’s “The Slap,” and the Warner Brothers’ film Going in Style. She is a toddler mom and a dog mom. MFA: Hunter College, 2028. @thenancysun www.thenancysun.com

  • 2nd Place

    Sadia Alao is a writer and filmmaker from PG County, Maryland whose work often explores Black and African identity, mental health, and the immigrant experience. Her goal is to empower and create space for 

    underrepresented lives through narrative And visual storytelling. She is a past recipient of Vital Signs: Creative Arts for Black Lives as well as the John Cauble Award for Outstanding Short Play. A few of her credits also include Director of A Long Time Since Yesterday at Georgetown University, Assistant Director of Black Superhero Magic Mama at Strand Theatre, and more. You can view her original film and performance work through her platform, 301Girl Media (sadiaalao.com).

  • 3rd Place

    Lauren Wimmer writes about loneliness, fear, and death in ways that make people say, "hahaha."


    Her plays have been produced or developed at Cave Theatre Co., The New York Public Library for the Performing Arts, Circle in the Square Theatre & School, Vineyard Arts Project, Dixon Place, Sewanee Writers' Conference, Panndora Productions, The Tank, Play by Play, The Cell, A Collective Artists, The Dramatists Guild, PlayGround-NY, Irondale, Imaginarium Theatre Company, Mid-America Theatre Conference, Kennedy Center's American College Theatre Festival, Theater For The New City, Swarm Artist Residency, The Workshop Theater, Campfire Theatre Festival, Ars Nova's ANT Fest, Theatre Evolve, The Annoyance, Theater Masters, The Bechdel Group, Possibilities Theatre Company, and Mildred's Umbrella Theater Company.


    Lauren's a member of the BMI Lehman Engel Musical Theatre Workshop and The Playwright Entrepreneur Program at PlayPenn. She's been a Playwrights’ Center Core Apprentice and Sitka Fellow. Her work's been published by Samuel French. Additionally, she’s been a finalist for the Maxim Mazumdar New Play Award, a semi-finalist for the Princess Grace Award, and a nominee for the L. Arnold Weissberger New Play Award at Williamstown Theatre Festival.


    Lauren is a graduate of The Second City's Conservatory and Writing programs. She received her B.A. from Sarah Lawrence College and her M.F.A. from Carnegie Mellon University where she was the recipient of the Mary Marlin Fisher Playwriting Award and the Jean & Samuel Elgart ACS Legacy Fellowship.

Cast

  • Alyssa Marvin most recently starred in Run Amok (2026 Sundance Feature Film) and reoccurs on the new Hulu series Not Suitable for Work. Broadway: Appropriate, Grey House. Off-Broadway: Trevor: The Musical. Tours: School of Rock, Annie. Alyssa is currently a double major in Theatre, Dance and Performance Studies and History at Yale University, where she is an active member of Red Hot Poker (sketch comedy), The Purple Crayon (long-form improv) and the Yale Dramatic Association. She is represented by Buchwald and Anonymous Content. alyssamarvin.com

  • Daniel K. Isaac can currently be seen as "Lt. Steve Connor" on the hit CBS series "Elsbeth". Previously he portrayed fan favorite "Ben Kim" on seven seasons of "Billions" for Showtime and “Jeremy” in "The Other Two". On stage, he received critical acclaim for Every Brilliant Thing (Geffen) for which he received the Los Angeles Drama Critic Circle Award for Solo Performance. Select NYC theatre credits include You Will Get Sick (Roundabout) and The Chinese Lady (Drama Desk Nomination, Ma-Yi/Public). Daniel had his playwriting debut with ONCE UPON A (korean) TIME in the summer of 2022 with Ma-Yi Theater Company. DanielKIsaac.com

  • Dillon Daniel Mutyaba is an actor and graduate of The Juilliard School, where he earned his MFA in Drama in 2026. Born in Kampala, Uganda, and raised in Arizona after immigrating to the United States with his family, he made his feature-film leading debut in African Giants, which premiered at the Slamdance Film Festival and won the Audience Award. He also starred in the short film Snaily, which premiered at the Cannes Film Festival. Dillon works across film, television, and theater. He is currently writing his first feature film, an epic historical drama inspired by the rise of the medieval West African empire of Mali. As an African artist, he is passionate about bringing African stories to audiences around the world.

  • Geneva Carr is best known for her six-season run as Marissa Morgan on CBS’s Bull. Geneva received a Tony Award nomination for her performance in Hand to God. Select TV/film credits: Elsbeth, Law & Order, Elementary, The Good Wife, Wonder Wheel, and It’s Complicated. Upcoming: the independent feature film Williston.

  • Mia Sinclair Jenness is honored to have grown up surrounded by a supportive and collaborative artistic community since her professional debut at age 6. Broadway/Tour: Appropriate (Tony Award), Grey House, Matilda, Les Misérables, Mary Page Marlowe. Other notable credits include “Arcane” (Emmy Award), “Fancy Nancy” (Emmy nomination), “Orange Is the New Black," “Raven’s Home," “Blue Bloods,” "The Storied Life of A.J. Fikry," "Letters From Camp”. Endless thanks to The Katz Company, family, and every person reading this who values live theatre. @MiaSinclairJenness

  • Kevyn Morrow is known for his work in film, television, and on Broadway. Select screen credits include The Accompanist(Tribeca Film Festival 2026),A Complete Unknown, The Christmas Letter, and Stayin’ Alive, as well as recurring and guest roles on the television shows Law & Order, FBI: Most Wanted, 9-1-1, Blue Bloods, Person of Interest, The Good Wife, When They See Us, and Colin in Black and White. Kevyn is an Olivier nominee and is currently performing in his twelfth Broadway show, August Wilson’s Joe Turner’s Come and Gone.

  • Broadway: Yellow Face, Mamma Mia!, A Christmas Carol, Les Miserables. Off-Broadway: Letters of Suresh (Second Stage), Addressless (Rattlestick), Hello From… (Playwrights Realm), Luce (LCT3) Emotional Creature (Signature), BFE (Playwrights Horizons), The Dispute (NAATCO). Regional: Vietgone (Cincinnati Playhouse), Brightest Thing in the World (Yale Rep), Miss You Like Hell (LaJolla Playhouse), Emotional Creature (Berkeley Rep), Snow Falling on Cedars (Portland CenterStage), Spelling Bee..(Papermill Playhouse) HAIR (Two River Theater) Film & TV: Influenced, This is Where I Leave You, Strangers with Candy, Like Father, “Instinct”, “FBI” “Odd Mom Out”, “Younger”,“Law & Order”, “The Good Wife” “The Big C,” “Great News”, “Marvelous Mrs. Maisel”.

  • Lizzy Brooks - Born and raised in Los Angeles, California, Lizzy Brooks is an actor, director, and screenwriter based in New York City. Her select theater credits include Macbeth (Broadway: U/S Lady Macbeth, Banquo), Lights Out: Nat “King” Cole (NYTW); Stargazers (Off-Broadway), Macbeth in Stride (Shakespeare Theater Company; Philadelphia Theater Company), As You Like It (Milwaukee Repertory Theater), Julius Caesar (The Hanover Theater), and Shoebox: A Roadside Picnic (ASF). She can also be seen on TV/Film in The Storied Life of AJ Fikry (Hulu/Amazon Prime), New Amsterdam (NBC), Game of Love (Northman Productions), and Hostages (NBC). She is a proud member of the Make Good Project, a writing collective of black female artists and a recipient of the Stephen Sondheim Fellowship. She holds an MFA from Brown/Trinity Repertory. Instagram: @lizzy__brooks

  • Pascale Armand -  Haitian-American, Tony-nominated, New York–based actor, writer & guest lecturer. She’s constantly working on her one-woman show, $#!thole Country Clapback. She’ll appear in a recurring role in upcoming series “Parallax” on Apple TV+. She’s currently raising funds for her short film Roles Reversed which she’ll direct (https://donate.mazloweb.com/donate/realizing-roles-reversed). Her lecture, “Maintaining Your Artistry While Black”, centers & informs artists of color on the precipice & in the midst of professional careers in the entertainment industry from the perspective of a Black woman of immigrant descent. NYU Graduate Acting Program alumna & core member of Quick Silver Theater Company. pascalearmand.com

  • Emma Pfitzer Price is a New York City based actor. She graduated from The Juilliard School with a BFA in Drama. Emma made her Off-Broadway debut in the World Premiere of Betty Smith's play, Becomes a Woman. She received a Theatre World Award as well as an Outer Critics Circle nomination for her performance. Other theatre: Who’s Afraid of Virginia Woolf? (Yale Rep). She can be seen as Dr. Hannah Clark on Doc. Recent television credits: Poker Face, Will Trent, FBI: International, Evil, and American Rust. Upcoming work: The Terror: Devil In Silver, Delusion. @emmapfitz

  • Mason Reeves - BROADWAY: Real Women Have Curves (Henry Cole). NATIONAL TOUR: Frozen (Kristoff). OFF-BROADWAY: Franklinland (Temple), Ensemble Studio Theater. REGIONAL: La Cage Aux Folles (Jean-Michel), MUNY; Anastasia (Dmitry), Bucks County Playhouse; Hair (Berger), Signature Theatre; Real Women Have Curves (Henry), A.R.T; Footloose (Ren), MUNY. Bucks County Playhouse Artistic Associate. BFA in Musical Theater, University of Michigan. Much love to his friends and family. Masondreeves.com: @rasonmeeves.

  • Princess Jacob (she/her) is thrilled to be a part of A is For's reading of OMO MI! Her stage highlights include The Essentialisn’t (HERE Arts Center), The Christians (Baltimore Center Stage), and Home Is Where the Fund Is (Elevate Theatre Company). Television credits include Before (Apple TV+) and Bull (CBS). 

  • Santiago Moriarty Peneranda was raised in Cochabamba, Bolivia, and started performing in his local circus at 7 years old. After nearly a decade in classical music, he began theatre again in high school. His family relocated to Washington, DC in 2019, when Santiago was 16, where he attended the Duke Ellington School of the Arts. He is a recent graduate of The Juilliard School, with a BFA in Drama (‘26). Santiago is twenty-two years old, lives in New York, and will one day be a licensed pilot.

We wish to express our gratitude to the Performers’ Unions:

ACTORS’ EQUITY ASSOCIATION
AMERICAN GUILD OF MUSICAL ARTISTS
AMERICAN GUILD OF VARIETY ARTISTS
SAG-AFTRA

through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear in this program.

Creative

  • Claire Karpen is an actor, director, and teacher based in NYC. She has worked on and Off Broadway, regionally, and internationally in theatre, television, and film. Select directing: The Woodsman (New World Stages, streaming on BroadwayHD), Bernie and Mikey… (59E59), Romeo & Juliet (Shakespeare on the Sound); Steel Magnolias (Virginia Theatre Festival), Moscow Moscow… (Columbia University), Frankie and Johnny in the Clair de Lune, A Little Night Music, Trewlaney of the Wells (Juilliard). Select acting: Grey House (Broadway), Sylvia (Broadway), Into the Woods (Fiasco at Roundabout, McCarter, Old Globe, and the Menier in London), The Heir Apparent (CSC), Much Ado About Nothing (St. Louis Shakes), Love Life (HBOMax), New Amsterdam, Law and Order, Blue Bloods, FBI. Claire trained at Brown University and The Juilliard School, and is currently guest faculty at Juilliard. She is a proud member of SAG/AFTRA and a Councilor of Actors’ Equity Association. Claire is also a private acting and audition coach.  More at www.clairekarpen.com 

  • Cristina is currently the resident Production Stage Manager for the Drama Division’s Graduating Class at Juilliard and has held this position since the year 2000. She is also in the Advisory Board and a Founding Member of the Ma-Yi Theatre Company. Most notable credits include the original and revival NY productions of The Romance of Magno Rubio (Obie), as well as its Romania & Manila tours. In 2017, she was awarded a grant from the Asian Cultural Council in New York, to conduct a 6-week, 3-part mentoring program for aspiring & professional Stage Managers in the Philippines where she held fort at the Cultural Center of the Philippines. Cristina is a proud member of AEA.

  • Meghan is a dancer, musical theater performer, and videographer based in NYC. NYC: You’re a Good Man Charlie Brown (92NY), Regional: White Christmas (Rhoda), Crazy for You, Gyspy (Classic Theatre of Maryland), , Christmas Wonderland (Avalon Theater Niagara Falls). Stage Mangement: The Virgin Mimi at New York Theater Festival. Video: @stepsonbroadway / @meghandoesmedia

Talkback Facilitator

  • Tracia “trae” Banuelos-Rovaris (she/they) is an artist, social researcher, and facilitator based in Harlem with roots in Wichita, KS, where she developed a foundational, reproductive justice approach that guides all of their work. As an artist, they collaborate with other poets and creatives to build and facilitate community workshops, zines, and co-creating spaces for arts practitioners rooted in liberation from advanced capitalism, systemic healing, and compassionate community values. In 2023, she self-published her autobiography “Abuelita Rising”, a 90-page body of poetry, visual art, and critical essays. Equipped with a MS in Applied Social Research, she enjoys using mixed research methods to contribute to sexual violence prevention research and program evaluation. As a facilitator, she enjoys investing in social justice practitioners and violence preventionists through capacity-building workshops and strategic planning. She organizes with the Audre Lorde Project as a Safe Outside the System Member and also serves as the Executive Director of Abortion Conversation Projects, a 501c3 organization that provides seed grants to abortion stigma-busting, grassroots projects.

Facility Supervisor Cheyenna Chao

Audio Engineer Steven Fine

Interim Associate Production Manager Kris Pritchard

Associate General Manager Rosie Kolbo

2025-2026 Contest Jury

  • Alicia Hurtado (they/she) has been building power as staff at the Chicago Abortion Fund (CAF) since 2020, where they currently serve as Director of Advocacy and Communications. CAF is the largest abortion fund in the country, and has been breaking down barriers to abortion access since 1985. Since the fall of Roe v. Wade, CAF has received support requests from over 50,000 people in 45 states and pushed out over $20 million in direct assistance and wrap-around support. Alicia leads CAF’s political advocacy, communications, and grassroots organizing strategy to create a culture shift that destigmatizes abortion, ensure that people facing barriers to care are centered in political action, and move us towards a world in which all people can access abortion no matter who they are or where they are from.

  • all it takes is ONE ACT alum!

    Alli Hartley-Kong is an internationally-produced playwright and published poet. By training, she is a public historian and museum educator. On the side, Alli writes plays, focusing especially on creating theatre that amplifies women's voices and history.

    Above all, Alli is a writer and historian whose sense of story is shaped by theatre. All of Alli's plays are available for streaming or performance licensing, and Alli is available for commissioned writing projects, speaking engagements, and consultations on incorporating dramatic storytelling into your cultural institution's work. 

  • all it takes is ONE ACT alum!

    A.M. Palson’s plays have been developed and produced across the U.S. Awards and publications include the Gary Garrison National Ten Minute Play Award (National Winner), The John Cauble Award for Outstanding Short Play (National Finalist), City Theatre's National Award for Short Playwriting (finalist, 2019 and 2020), We/Ourselves: Twenty-Five 10-Minute Plays Celebrating Gender Diversity (2025), We/Us: Monologues for the Gender Minority (2022), and Best Men’s Monologues of 2019. Palson is a PhD Candidate in Interdisciplinary Theatre Studies at the University of Wisconsin-Madison and holds an MFA in Playwriting

    from Western Michigan University. Visit https://www.ampalson.com/ to learn more about their work.

    Website: https://www.ampalson.com/

  • all it takes is ONE ACT alum!

    Cris Eli Blak is a writer for theatre and television. His work has been produced, published, and performed around the world. He is a staff writer on the hit series Power Book III: Raising Kanan and is currently the recipient of the 2025-26 Signpost Fellowship, an artist-in-residence with Abingdon Theatre Company, a 2024-2027 Core Writer with The Playwrights Center, and the inaugural LDK Productions Writers’ Residency. instagram handle (@criseliblak)

  • all it takes is ONE ACT alum!

    Gloria Majule is a storyteller born and raised in Dodoma, Tanzania. She seeks to tell stories that bring multiple black voices together from across the world, and are accessible to black audiences no matter where they are. She writes for and about Africans and the African diaspora. Gloria has been awarded a MacDowell Fellowship; commissions from Audible, Milwaukee Repertory Theater, Atlantic Theater Company, and Princeton University/The Civilians; and residencies at Yaddo, Art Omi, The New Harmony Project, and New York Stage and Film. A three-time O'Neill Finalist and six-time Susan Smith Blackburn Prize nominee, Gloria's work includes UHURU (Upcoming World Premiere at the Alley Theatre), MALA ARIA (Upcoming New Play Production at Premiere Stages), MY FATHER WAS SHOT IN THE BACK OF THE HEAD (Relentless Award Finalist), CULTURE SHOCK (Leah Ryan Prize Winner), and FIFTEEN HUNDRED (Blue Ink Award Finalist). BA: Cornell University, MFA: Yale School of Drama.

    instagram handle: @gloriamajule

  • all it takes is ONE ACT alum!

    Kate is a playwright based in Los Angeles. Her play NURSE CADDEN was the inaugural winner of the A is For Playwriting Contest. It’s published by Next Stage Press and is available at The Drama Bookshop, where it was a staff pick. Other plays have been developed/produced by Coachella Valley Rep, The Road Theatre Company, Wild Imaginings, Moving Arts Theatre, The Great Plains Theatre Conference, The Vagrancy, The Last Frontier Theatre Conference and The Actors’ Theatre of Louisville. She holds an MFA in Dramatic Writing from Carnegie Mellon, where she was the recipient of the Steven Bochco Fellowship.

    instagram handle - @katiemick

  • all it takes is ONE ACT alum!

    Kendall Grenolds is a playwright and actor based in Chicago, IL. Most recently, her play Safe House was presented at Playwrights Horizons as a winner of A Is For’s All It Takes Is One Act Festival. Her play Girl Crime had its world premiere at Boston Center For The Arts produced by The Dining Table Collective, and will soon be published by 1319 Press. You can find her on New Play Exchange, Instagram, and Substack @kendallgrenolds. kendallgrenolds.com.

  • Mira Michels is thrilled to return for her second year as a juror for A is For’s Playwriting Contest! She currently works as a researcher at King’s College London, where she is exploring the abortion pill mifepristone as a potential non-hormonal contraceptive. She is currently applying to medical school with the goal of becoming a reproductive health specialist and is passionate about reproductive justice, theater, and storytelling as tools for social change.

  • all it takes is ONE ACT alum!

    Sophie Goldstein is a Jewish/Chicana writer from Altadena, CA. Many of her one-act plays have been accepted into festivals and competitions nationwide, and many of her short stories have both placed and received honorable mentions in fiction contests sponsored by WOW! Women Writing, Reedsy, and Fractured Lit. Down with the "imperialist, white supremacist, capitalist, patriarchy" (thank you bell hooks).

  • all it takes is ONE ACT alum!

    Phanésia Pharel is a Haitian-American playwright and screenwriter from a dragon fruit farm in Miami. She is the daughter of an immigrant teacher and farmer.

    Her play DEAD GIRL’S QUINCEÑERA is making a triple collective world premiere beginning at Barrington Stage this summer, August 5–29. It will then run at the Goodman this fall and conclude its world premiere at Hartford Stage in spring 2027.

    She recently made her Off-Broadway debut at the WP Theater with her play The Waterfall, which was co-produced by Thrown Stone.

    She is the Playwriting Fellow (2025–2027) at Emory University, where she serves as a visiting professor and will have a new play produced by the university’s repertory company.

    Her plays have been developed at the Eugene O’Neill Theater Center’s National Playwrights Conference, New Harmony Project, Playwrights’ Center, New York Stage and Film, SolFest, Shattered Globe, and Echo Theater Company.

    She has received commissions from the Atlantic Theater Company, Lucille Lortel Theatre (Alcove), La Jolla Playhouse, Miranda Family Fund, Hero Theatre, City Theatre Miami, and the Latinx Playwrights Circle.

    Phanésia is a member of the Obie Award-winning EST/Youngblood group and The Wish Collective. As a screenwriter, she is an alumna of Lena Waithe’s Hillman Grad Screenwriting Lab.

    She holds a B.A. in Urban Studies from Barnard College of Columbia University and an MFA in Playwriting from the University of California San Diego.

And special thanks to…

Artistic Director of Playwrights Horizons Adam Greenfield

Casting Advisors Marcia De Bonis and Suzanne Ryan

Ribbon Maker Adele Simms

Photographer Dianna Bush

Playwrights Horizons for generously donating The Judith O. Rubin Theater for this evening's ONE ACT Festival.

&

Our A is For Abettors:

Amanda Green

Patrick Hinds


Our A is For Accessory:

Carrie Preston

Our A is For Accomplices:

Carrie Casselman

Billy Crudup

Our A is For Advocates:

Meredith Clair

John M Dias

John Carroll Lynch

Allison McDermott

Debra Occhino

Jill Weissman

Occasional Drawl

Our A is For Allies:

Carolyn Baeumler Bost

Amy Brenneman

Becky Browder Neustadt

Blake Callaway

Anthony Crane

Warren Feldman

Alison Fraser

Christine Haney

Jenny Heinz

Devika R Jutagir

Robin Kramer

Christian Parker

Nina Pratt

Elizabeth Schacter

Jill Shapiro

Nandita Shenoy

Wendy Radford

Why a Playwriting Contest?

It’s not just abortion that is stigmatized in our culture, but the entire lived experiences of people who seek to fulfill their promise as autonomous human beings, realize their own dreams, raise their families in safety and peace, pursue their ambitions, and maintain control over their physical and reproductive lives.

The subject of reproductive justice is one too often simplified by our current dialogues. And too often the voices and perspectives of the people most affected by restrictions, legislative prohibitions, and cultural prejudices are excluded from our artistic institutions.

A is For seeks to change that. We believe that theatre is a powerful platform through which to share stories, debunk myths, and create lasting change. We believe that theatre can transform. We want to challenge the abstract, politicized, and stigmatized ways people think about abortion and reproductive justice. We want to amplify voices that can reframe the conversation. We want to support and promote artists who can dispel myths and misconceptions. We want to hear the stories you want to tell.

In that spirit, the stories we hope to bring to the fore will be diverse in perspective as well as imagination. These plays may be personal and realistic, or they may be allegorical. They may be fantastic, sprung from dreams, or they may be grounded in naturalism. From the surrealist, to the literal. From magical realism, to documentarian. Whatever form or shape they may take, we hope to receive a wide range of works from all over the country, reflecting the great variety of experiences that reproductive justice demands we all recognize.

In highlighting these stories, we’re broadening the emotional vocabulary of the American audience, and opening up our theaters to a fuller and more honest exploration of the human experience.