ALL IT TAKES IS ONE ACT 2026

June 15, 2026

Playwrights Horizons. NYC. 7:00pm.

One Night. Three Plays. All About Reproductive Justice.

2025-2026 CYCLE WINNERS

First Place: PANDAMONIUM!

by Nancy Sun

As a giant panda, Yiyi’s purpose is to save her species from extinction. And according to her Instagram, it might also be her whole personality :) But after struggling with her fertility for nine years, Yiyi starts to doubt whether her life’s work requires her to bear cubs. When you live in captivity, though, do you really have a say? PANDEMONIUM! is about the hard choices we make in a society that values new life, yet restricts the bodies that make life possible. Inspired by real-world animal conservation efforts, our contemporary reproductive rights discourse, and the chronically online, this play is for those who touch grass and those who should.


Second Place: Omo Mi

by Sadia Alao

Omo Mi follows Amina, a young Nigerian-American girl who has to navigate an unexpected pregnancy and possible abortion while dealing with her overbearing mother, Halima, who is vehemently pro-life. Set over the backdrop of Egungun masquerade and Yoruba mysticism, this story explores the notions we impose on women’s sexual and physical beings and how these impositions ultimately lead to generational hurt.


Third Place-The Ella Elliott Fan Club of Southeast Wisconsin

by Lauren Wimmer

It's 2008 and four high school kids have a fan club for their favorite Christian movie star and singer Ella Elliott. They idolize Ella Elliott for being a pro-life warrior in the liberal Hollywood landscape. From a basement in the suburbs outside of Milwaukee, they work on raising money to have Ella Elliott perform at their church's summer fair. When one of the members becomes pregnant, they must come to terms on what to do. And how.

Meet The Playwrights:

Cast

We wish to express our gratitude to the Performers’ Unions:

ACTORS’ EQUITY ASSOCIATION
AMERICAN GUILD OF MUSICAL ARTISTS
AMERICAN GUILD OF VARIETY ARTISTS
SAG-AFTRA

through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear in this program.

Creative

Talkback Facilitator

Facility Supervisor Cheyenna Chao

Audio Engineer Steven Fine

Interim Associate Production Manager Kris Pritchard

Associate General Manager Rosie Kolbo

2025-2026 Contest Jury

And special thanks to…

Artistic Director of Playwrights Horizons Adam Greenfield

Casting Advisors Marcia De Bonis and Suzanne Ryan

Ribbon Maker Adele Simms

Photographer Dianna Bush

Playwrights Horizons for generously donating The Judith O. Rubin Theater for this evening's ONE ACT Festival.

&

Our A is For Abettors:

Amanda Green

Patrick Hinds


Our A is For Accessory:

Carrie Preston

Our A is For Accomplices:

Carrie Casselman

Billy Crudup

Our A is For Advocates:

Meredith Clair

John M Dias

John Carroll Lynch

Allison McDermott

Debra Occhino

Jill Weissman

Occasional Drawl

Our A is For Allies:

Carolyn Baeumler Bost

Amy Brenneman

Becky Browder Neustadt

Blake Callaway

Anthony Crane

Warren Feldman

Alison Fraser

Christine Haney

Jenny Heinz

Devika R Jutagir

Robin Kramer

Christian Parker

Nina Pratt

Elizabeth Schacter

Jill Shapiro

Nandita Shenoy

Wendy Radford

Why a Playwriting Contest?

It’s not just abortion that is stigmatized in our culture, but the entire lived experiences of people who seek to fulfill their promise as autonomous human beings, realize their own dreams, raise their families in safety and peace, pursue their ambitions, and maintain control over their physical and reproductive lives.

The subject of reproductive justice is one too often simplified by our current dialogues. And too often the voices and perspectives of the people most affected by restrictions, legislative prohibitions, and cultural prejudices are excluded from our artistic institutions.

A is For seeks to change that. We believe that theatre is a powerful platform through which to share stories, debunk myths, and create lasting change. We believe that theatre can transform. We want to challenge the abstract, politicized, and stigmatized ways people think about abortion and reproductive justice. We want to amplify voices that can reframe the conversation. We want to support and promote artists who can dispel myths and misconceptions. We want to hear the stories you want to tell.

In that spirit, the stories we hope to bring to the fore will be diverse in perspective as well as imagination. These plays may be personal and realistic, or they may be allegorical. They may be fantastic, sprung from dreams, or they may be grounded in naturalism. From the surrealist, to the literal. From magical realism, to documentarian. Whatever form or shape they may take, we hope to receive a wide range of works from all over the country, reflecting the great variety of experiences that reproductive justice demands we all recognize.

In highlighting these stories, we’re broadening the emotional vocabulary of the American audience, and opening up our theaters to a fuller and more honest exploration of the human experience.