ALL IT TAKES IS ONE ACT 2025
June 26, 2025
A is For’s One Act Play Festival
Digital Program
Playwrights Horizons. NYC. 7:30pm.
One Night. Three Plays. All About Reproductive Justice.
Thank you for joining us at Playwrights Horizons for our 4th ‘all it takes is ONE ACT’ festival.
All proceeds from this year’s ONE ACT Festival will go directly to A is For’s Beneficiary Program that provides unrestricted, critical funds to abortion funds and reproductive justice organizations across the country.
This Year’s Winners
First Place- Getting Attached
by A.M. Palson
Max has traveled for miles to see the octopuses at a small marine lab in Florida, only to find that one of them has died. Sara, a lab technician, tries to explain that it’s natural and beautiful for female octopuses to die after laying their eggs. Max isn’t buying it. Together, the duo navigates questions of motherhood, biology, and gender through their mutual love and fascination with octopuses. Above all, Getting Attached explores feelings of biological betrayal and the human need for care.
Cast: Isa Arraiza (Sara), b (Max) Stage Directions: Anthony Crane
Second Place- All the Things She Never Said
by Sophie Goldstein
In present day Los Angeles, sisters Lupita and Mari are cleaning out the house of their recently deceased mother, Monse. As they go through boxes, they discover that she was part of the Madrigal 10. A group of Latina women who sued the LA County Medical Center back in 1978 for committing forced sterilization.
Cast: Isa Arraiza (Antonia), Anthony Crane (Judge), Florencia Lozano (Lupita), Maria-Christina Oliveras (Mari), Emma Pfitzer Price (Nurse), Gabriela Torres (Monse), Daniel Velez (Julio)
Stage Directions: Hennessy Winkler
Third Place- Safe House
by Kendall Grenolds
At a safe house in New Mexico, people come and go as they cross state lines to get reproductive care. When a new arrival’s past is revealed, the entire house is jeopardized as a brutal question is asked: how much responsibility must we take for laws we didn’t pass?
Cast: b (Alice), Florencia Lozano (Amy), Maria-Christina Oliveras (Jen), Emma Pfitzer Price (Lydia), Gabriela Torres (Marie), Hennessy Winkler (Leo)
Stage Directions: Daniel Velez
Meet the Playwrights
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1st Place
A.M. Palson’s plays revolve around the exploration of complex emotions and identity through heightened, often fantastical circumstances with a particular focus on LGBTQ+ experiences. Works have been seen at Bristol Valley Theatre, Theatre Nova, Flint Repertory Theatre, American Stage's 21st Century Voices, and elsewhere. Awards include The Kennedy Center American College Theater Festival Gary Garrison Award for Outstanding Ten Minute Play (National Winner 2021), City Theatre's National Award for Short Playwriting (Finalist, 2019 and 2020), and The Kennedy Center American College Theater Festival John Cauble Award for Outstanding Short Play (National Finalist, 2021). Works have been included in We/Ourselves: Twenty-Five 10-Minute Plays Celebrating Gender Diversity (2025), We/US: Monologues for the Gender Minority (2022), Best Women's Monologues of 2021, The Kilroys List (2020), and Best Men's Monologues of 2019. Palson was Artist-in-Resident at The Mitten Lab in 2019 and resident playwright at Queer Theatre Kalamazoo in the 2019-2020 season. Palson graduated with an MFA in playwriting from Western Michigan University in 2020 and is a PhD Candidate in Interdisciplinary Theatre Studies at the University of Wisconsin Madison. As a scholar, Palson studies LGBTQ+ theater in the late 20th century, theater as an expression of historiographical and archival research, and how documentary theater allows LGBTQ+ practitioners and audiences to collectively experience their history and build activist communities.
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2nd Place
Sophie Goldstein is a Jewish/Chicana writer from Los Angeles, CA whose short plays have been accepted into competitions and festivals nationwide. All The Things She Never Said was most recently given a public staged reading at the LA Chapters festival at the Morgan-Wixson theater in Santa Monica that was directed by Cybelle Kaehler. She is currently developing a full-length version of the script with the Company of Angels playwriting group that will receive a public reading in the fall. Her script ILY, Marshall High School was shortlisted for The Road Theatre's 2024 SPF 15 festival and her script Rosa will receive a public reading by the Playwright's Arena in July 2025. Her short stories have both placed and received honorable mentions in contests sponsored by Reedsy, WOW! Women Writing, and Fractured Lit. She was a 2022 Ya Tu Sabes writer finalist for the competition sponsored by Nosotros, an organization created by Ricardo Montalban to uplift emerging Latine Talent. She is a member of the Los Angeles Female Playwriting Initiative (LAFPI) where she currently volunteers as a moderator for their virtual Sunday writing sessions.
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3rd Place
Kendall Grenolds is a playwright and actor based in Chicago, IL. She is a recent graduate of the University of Hartford, and a recipient of the Phyllis B. Abrahms Awards in Drama and Poetry, as well as the Melvin Goldstein Interdisciplinary Essay Award. Her poetry appears in We Do Not Need Permission to Rise, the latest anthology from Beyond the Veil Press. You can find her on New Play Exchange, Instagram, and Substack @kendallgrenolds. kendallgrenolds.com.
Cast
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Theatre credits include: The Merchant of Venice (Theatre for a New Audience, STC, Royal Lyceum, Edinburgh), Julius Caesar (The Public Theater), Minetti (Barbican Centre, Royal Lyceum Theatre Edinburgh), Intersections (The Guthrie Theater).
TV credits include: Accused (Fox), Outer Range (Amazon), Pearson (USA Network), The Oath (Crackle), Elementary, Prodigal Son (CBS).
Film credits include: The Little Things, Notice to Quit, Renata, Driven, American Dreamer.
Awards and nominations include: Best Actress winner (Renata) - Puerto Rico European Film Festival 2024.
Isabel captivated critics such as The New Yorker as an "excellent Portia" in The Merchant of Venice. She obtained her Master of Fine Arts from The Juilliard School, becoming the first Puerto Rican to graduate from the Drama Division since its founding in 1905. Her work within the acting program has also earned her The Laura Pels Award for Best Actor of the Company, Juilliard 2017.
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b (they/them) is a California kid living and working in NYC. Theater: Toros (Second Stage; HOLA Award), American (tele)visions(NYTW), Bodies They Ritual (Clubbed Thumb), Seven Deadly Sins (Tectonic Theater Project). TV: “You” (Netflix), “The Terror” (AMC), "Elsbeth" (CBS), “WeCrashed” (Apple TV+), “Let the Right One In” (Showtime), “Station 19” (ABC). Training: Juilliard. b can be seen this summer playing Antonio in The Public’s Twelfth Night in Central Park.
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Broadway: Between Riverside and Crazy, Sight Unseen, Butley, The Winslow Boy. Tours, Regional: Cyrano in Cyrano (TheatreWorks, BATCC Nom.); Watch on the Rhine (Arena, Helen Hayes Nom) Scar in The Lion King (First National), Les Miserables (N. America) Spamalot (Wynn Las Vegas), Modern Orthodox, Disgraced (Goodman Theater, Berkeley Rep, Seattle Rep, Mark Taper), Additional appearances include Barrington Stage, The Old Globe, Actors Theatre of Louisville, Cleveland Playhouse, Paper Mill, & many more. TV/Film includes: Series regular on Outer Banks (Netflix) And Just Like That & Succession (HBO), Dead Ringers & The Runarounds(Amazon), Billions, Law & Order, Chicago PD, Blue Bloods, FBI, Madam Secretary, The Big Easy. B.S. from NU. For Susan Ellen. IG: @janthonycrane
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Brooklyn Laundry (MTC), All Of Me (The New Group), Wet Brain and Placebo (Playwrights Horizons), Shuttle, Spindle, Needle (Clubbed Thumb), Rinse Repeat (@ Signature), Devil of Choice (LAByrinth), Red Dog Howls (NYTW), And She Would Stand Like This (Movement Theatre Co), Winners (EST), Macbeth (Shakespeare in the Park), Privilege (Second Stage), Last Easter (MCC), Where's My Money? (MTC/LAB), Dirty Story (LAB). Co-wrote& starred in LIFE AFTER YOU (Best Feature & Best Actress NICE International Film Festival, Best Actress in Houston), HERE AFTER, CRYBABY BRIDGE, THE MINISTERS. Upcoming: DESTROY ALL GIRLS. TV: NARCOS, KEEP BREATHING, ONE LIFE TO LIVE, BULL, GOSSIP GIRL, BLUE BLOODS, UGLY BETTY, LAW & ORDER SVU & CI, THE MYSTERIES OF LAURA, MADAM SECRETARY, KEVIN CAN WAIT, THE BLACKLIST and ENEMY WITHIN. LAByrinth and EST company member, NYTW Usual Suspect and Actors' Studio pdu member. Her play: underneathmybed, directed by Pedro Pascal and produced at Rattlestick Playwrights' Theatre won HOLA's (Hispanic Organization of Latino Actors) Best New Play Award MFA, NYU BA, Brown. Florencia is also a performance artist. Her latest offering was an immersive event: FUN WITH PANIC ATTACKS at INTAR, co-directed by Kristina Poe.
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Maria-Christina Oliveras Broadway: Between Riverside and Crazy; Amelie (original cast recording); Hadestown (National Tour); Machinal; Bloody Bloody Andrew Jackson. Selected Off-Broadway: Cymbeline (Drama Desk Nomination; NAATCO/Play On); A Woman Among Women (Bushwick Starr/New Georges); Here Lies Love (The Public/original cast recording); Parable of the Sower (The Public/UTR); Romeo and Juliet (The Public); Pretty Filthy (The Civilians/original cast recording); Taylor Mac’s 24-Decade History of Popular Music(St. Ann’s Warehouse/HBO Max); Zorba! (City Center/Encores); Clubbed Thumb; Target Margin; among numerous others. Selected Regional world premieres: Kiss My Aztec! (Berkeley Rep, La Jolla, Hartford Stage); Soft Power (CTG/Curran); Amelie (CTG/Berkeley Rep); El Huracån (Yale Rep); Macbeth/As You Like It (HVSF); Williamstown, Baltimore Center Stage, Huntington, Long Wharf, Ancram Opera House, Westport Country Playhouse, Denver Center. Countless new works with Lincoln Center, MTC, New Dramatists (Charles Bowden Award), Labyrinth, NYTW, Sundance, O’Neill, Ma-Yi, Atlantic, Primary Stages, EST, The Tent, Page 73, Playwrights’ Realm, among others. Member of The Actors' Center. Selected Film/TV: St. Vincent, Manhattan Nocturne, “Blue Bloods,” “NCIS: NOLA,” “The Blacklist,” “Law & Order: SVU” @mcoliveras
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Emma Pfitzer Price is a New York City based actor, and so honored to be a part of this festival. Off Broadway: Becomes A Woman (Theatre World Award, Outer Critics Circle Nomination) Regional/Other Theatre: Who’s Afraid of Virginia Woolf? (Yale Repertory), Steel Magnolias (Virginia Theatre Festival) TV/Film: Poker Face, FBI: International, Evil, American Rust. Training: The Juilliard School, BFA
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Gabriela Torres is a proud first-generation Mexican American, born in El Paso, Texas and raised in its border “sister city” Juarez, Mexico. She is honored to participate in this year’s festival alongside this group of talented artists, joining them in the fight to eradicate the stigma surrounding reproductive rights. Off-Broadway: 4000 Miles(Berkshire Theater Group) Traición de la Amistad (Repertorio Español), Shapeshifter (Bard at the Gate), How to Defend Yourself (workshop at NYTW). TV: Evil, The Blacklist. Film: Babygirl. Education: The Juilliard School, MFA. Favorite Juilliard credits include Anthony and Cleopatra (Cleopatra), F***ing A (Hester), Macbeth (Lady Macbeth), and All My Sons (Ann)
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Daniel Velez is from Los Angeles, CA. Broadway : Romeo + Juliet (u/s Romeo, 2024). Regional : Pride and Prejudice (Darcy, Chautauqua Theatre Co., 2023). He can be seen in the upcoming feature film Pig Village (2025) alongside Don Lee and Michael Rooker. Daniel is a graduate of the Drama Division (Group 53) at The Juilliard School.
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Raised in Hawaii & settled in NYC.
Grateful to be part of the A is For fam.
Recent credits: Sweeney Todd - B'way OBC; By Jupiter - City Center; Will Parker in B'way natl tour of Oklahoma!; Featured in Concert 4 America; Midnight in the Garden of Good & Evil workshop with/by Jason Robert Brown; Featured in film No Ordinary Man.
Trained by Sue Ann Loudon & grad of Marymount Manhattan. Starring in All the Men Who've Frightened Me this fall at La Jolla Playhouse.
Creative
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Claire Karpen is an actor, director, and teacher based in NYC. She has worked on and Off Broadway, regionally, and internationally in theatre, television, and film. Select directing: The Woodsman (New World Stages, streaming on BroadwayHD), Bernie and Mikey… (59E59), Romeo & Juliet (Shakespeare on the Sound); Steel Magnolias (Virginia Theatre Festival), Moscow Moscow… (Columbia University), Frankie and Johnny in the Clair de Lune, A Little Night Music, Trewlaney of the Wells (Juilliard). Select acting: Grey House (Broadway), Sylvia (Broadway), Into the Woods (Fiasco at Roundabout, McCarter, Old Globe, and the Menier in London), The Heir Apparent (CSC), Much Ado About Nothing (St. Louis Shakes), Love Life (HBOMax), New Amsterdam, Law and Order, Blue Bloods, FBI. Claire trained at Brown University and The Juilliard School, and is currently guest faculty at Juilliard. She is a proud member of SAG/AFTRA and a Councilor of Actors’ Equity Association. Claire is also a private acting and audition coach. More at www.clairekarpen.com
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Cristina is currently the resident Production Stage Manager for the Drama Division’s Graduating Class at Juilliard and has held this position since the year 2000. She is also in the Advisory Board and a Founding Member of the Ma-Yi Theatre Company. Most notable credits include the original and revival NY productions of The Romance of Magno Rubio (Obie), as well as its Romania & Manila tours. In 2017, she was awarded a grant from the Asian Cultural Council in New York, to conduct a 6-week, 3-part mentoring program for aspiring & professional Stage Managers in the Philippines where she held fort at the Cultural Center of the Philippines. Cristina is a proud member of AEA.
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Meghan is a dancer and musical theater performer based in NYC. NYC: You’re a Good Man Charlie Brown (92NY), Regional: White Christmas (Rhoda), Crazy for You, Gyspy (Classic Theatre of Maryland), , Christmas Wonderland (Avalon Theater Niagara Falls). Outside of performing, she is a videographer for Steps on Broadway, Dance Media, and others, as well as a writer for Pointe+ and Dance Teacher Magazine.
Talkback Facilitator: Trae Banuelos-Rovaris
PH Staff: James Noonan (General Management Fellow), Carol Almonte (Tech)
A is For Staff
And special thanks to…
Playwrights Horizons for generously donating The Judith O. Rubin Theater for this evening's ONE ACT Festival.
&
Our A is For Accomplices:
Amy Brenneman & Brad Silberling
Blake Callaway
Billy Crudup
Lenore Davis
Patrick Hinds & Steve Tipton
Carrie Preston
Their contributions directly support A is For's mission to bring art about abortion to the stage.
Why a Playwriting Contest?
It’s not just abortion that is stigmatized in our culture, but the entire lived experiences of people who seek to fulfill their promise as autonomous human beings, realize their own dreams, raise their families in safety and peace, pursue their ambitions, and maintain control over their physical and reproductive lives.
The subject of reproductive justice is one too often simplified by our current dialogues. And too often the voices and perspectives of the people most affected by restrictions, legislative prohibitions, and cultural prejudices are excluded from our artistic institutions.
A is For seeks to change that. We believe that theatre is a powerful platform through which to share stories, debunk myths, and create lasting change. We believe that theatre can transform. We want to challenge the abstract, politicized, and stigmatized ways people think about abortion and reproductive justice. We want to amplify voices that can reframe the conversation. We want to support and promote artists who can dispel myths and misconceptions. We want to hear the stories you want to tell.
In that spirit, the stories we hope to bring to the fore will be diverse in perspective as well as imagination. These plays may be personal and realistic, or they may be allegorical. They may be fantastic, sprung from dreams, or they may be grounded in naturalism. From the surrealist, to the literal. From magical realism, to documentarian. Whatever form or shape they may take, we hope to receive a wide range of works from all over the country, reflecting the great variety of experiences that reproductive justice demands we all recognize.
In highlighting these stories, we’re broadening the emotional vocabulary of the American audience, and opening up our theaters to a fuller and more honest exploration of the human experience.